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BEA2012

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#1

Final Cut Pro X: What Do you Want to Know?

#2

To Final Cut Pro X or not to Final Cut Pro X

#3

Finding the Best Non-Linear Video Editing Software for Our Students: Adobe, Apple or Avid?

#4

Assessing Creative Work: A Practical Approach to Rubrics and Feedback

#5

The Undergraduate Short Narrative Film: What to Teach, What to Expect

#6

Tipping Point: HD, 2D, 3D One Year Later; How Much Longer Can We Teach Traditional 'Broadcasting'?

#7

BEA Festival of Media Arts: Faculty Video Awards and Exhibition

#8

Managing Post Production for Long Form Narrative Projects in a Communication School Model

#9

Always Get It in Writing: Production Agreements for Today's Media World

#10

Media Aesthetics and Production Theory

#11

Reality Check: Challenges for Today’s Documentarians

#12

BEA Festival of Media Arts: Student Video Awards and Exhibition

#13

Innovation and Growth in a Tough Economy: The MacGyver Approach to Broadcast Education

#14

Grading Group Work

#15

Making the Show on the Road: Technology Issues in Production Courses Abroad

#16

The 168 Film Project: A Unique Competition for Students and Faculty

#17

Collaborating Cross-Country on Creative Projects

#18

The Changing Faces of Faculty; Recruiting New Media Professionals

#19

Production Aesthetics & Criticism Division Business Meeting

#20

Production Aesthetics and Criticism Paper Competition

#21

Legitimate Learning — or Just Free Labor?

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